Nigerian writer (1930-2013)
It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.
CHINUA ACHEBE
interview, Okike, 1990
When the moon is shining the cripple becomes hungry for a walk.
CHINUA ACHEBE
Things Fall Apart
If I write novels in a country in which most citizens are illiterate, who then is my community?
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
He who fights for a ne'er-do-well has nothing to show for it except a head covered in earth and grime.
CHINUA ACHEBE
No Longer at Ease
Most writers who are beginners, if they are honest with themselves, will admit that they are praying for a readership as they begin to write. But it should be the quality of the craft, not the audience, that should be the greatest motivating factor.
CHINUA ACHEBE
There Was a Country: A Personal History of Biafra
The price a world language must be prepared to pay is submission to many different kinds of use.
CHINUA ACHEBE
Morning Yet on Creation Day
The women are, of course, the biggest single group of oppressed people in the world and, if we are to believe the Book of Genesis, the very oldest.
CHINUA ACHEBE
Anthills of the Savannah
There are two streams in the minds of our people: one in which women are really oppressed and given very low status and one in which they are given very high honour, sometimes even greater honour than men, at least if not in fact, in language and metaphor.
CHINUA ACHEBE
Conversations with Chinua Achebe
Fortunately, in real life, we are not in danger of these bizarre extremes unless we consciously work our way into them. I can see no situation in which I will be presented with a Draconic choice between reading books and watching movies; or between English and Igbo. For me, no either/or; I insist on both. Which, you might say, makes my life rather difficult and even a little untidy. But I prefer it that way.
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
Clearly there is no moral obligation to write in any particular way. But there is a moral obligation, I think, not to ally oneself with power against the powerless. An artist, in my definition of the word, would not be someone who takes sides with the emperor against his powerless subjects.
CHINUA ACHEBE
There Was a Country: A Personal History of Biafra
But like all the other women I have referred to, she expressed herself with passionate and disarming effrontery.
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
We must now turn from considering the necessary struggle with language arising, as it were, from its very nature and the nature of the society it serves to the more ominous threat to its integrity brought about neither by its innate inadequacy nor yet by the incompetence and carelessness of its ordinary users, but rather engineered deliberately by those who will manipulate words for their own ends.
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
Praise bounteous
providence if you will
that grants even an ogre
a tiny glow-worm
tenderness encapsulated
in icy caverns of cruel
heart or else despair
for in the very germ
of that kindred love is
lodged the perpetuity
of evil.
CHINUA ACHEBE
Attento, Soul Brother!
Come here into the hollow of my conscience
I will show you a thing or two
I will show you the heat of my love.
You know what?
I can give you babies too
Real leaders of tomorrow
Right here under the bridge
I can give you real leaders of thought.
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
As a man danced so the drums were beaten for him.
CHINUA ACHEBE
Things Fall Apart
Despite the daunting problems of identity that beset our contemporary society, we can see in the horizon the beginnings of a new relationship between artist and community which will not flourish like the mango-trick in the twinkling of an eye but will rather, in the hard and bitter manner of David Diop's young tree, grow patiently and obstinately to the ultimate victory of liberty and fruition.
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
Do you blame a vulture for perching over a carcass?
CHINUA ACHEBE
Arrow of God
[Would] a sensible man spit out the juicy morsel that good fortune put in his mouth?
CHINUA ACHEBE
A Man of the People
Whatever music you beat on your drum there is somebody who can dance to it.
CHINUA ACHEBE
Arrow of God
The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn deep into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations.
CHINUA ACHEBE
There Was a Country: A Personal History of Biafra