Canadian writer (1951- )
I'm really bad at describing my books. Journalists like to have things like "It's The Terminator Meets the Seven Dwarfs." And I can't do that with my books. If I could, I probably wouldn't write them.
CHARLES DE LINT
interview, Challenging Destiny, Number 9
Fortune-telling doesn't reveal the future; it mirrors the present. It resonates against what your subconscious already knows and hauls it up out of the darkness so you can get a good look at it.
CHARLES DE LINT
"Paperjack", Dreams Underfoot: The Newford Collection
I think you're all mad. But that's part and parcel of being an artistic genius, isn't it?
CHARLES DE LINT
"Baiting the Hook", Memory and Dream
Remember the quiet wonders. The world has more need of them than it has for warriors.
CHARLES DE LINT
Moonheart
My theory about writing is that one should write books you'd like to read, but no one else has written yet. So, as long as I stick with that, I'm entertaining myself, and then hopefully my readers as well. I hope to god I realize that I'm repeating myself, if I ever do. But if I don't, I'm sure my readers will let me know.
CHARLES DE LINT
"A Conversation With Charles de Lint", SFsite, 2000
A long time ago a bunch of people reached a general consensus as to what's real and what's not and most of us have been going along with it ever since.
CHARLES DE LINT
"Where Desert Spirits Crowd the Night", The Ivory and the Horn
Only fools think they're wise; the rest of us just muddle through as we can.
CHARLES DE LINT
"Where Desert Spirits Crowd the Night", The Ivory and the Horn
The trouble with magic is that there's too much it just can't fix. When things go wrong, glimpsing junkyard faerie and crows that can turn into girls and back again doesn't help much. The useful magic's never at hand. The three wishes and the genies in bottles, seven-league boots, invisible cloaks and all. They stay in the stories, while out here in the wide world we have to muddle through as best we can on our own.
CHARLES DE LINT
The Onion Girl
That dichotomy between who she was and who she thought she should be was what really killed her.
CHARLES DE LINT
"Pal o' Mine", The Ivory and the Horn
People who've never read fairy tales ... have a harder time coping in life than the people who have. They don't have access to all the lessons that can be learned from the journeys through the dark woods and the kindness of strangers treated decently, the knowledge that can be gained from the company and example of Donkeyskins and cats wearing boots and steadfast tin soldiers. I'm not talking about in-your-face lessons, but more subtle ones. The kind that seep up from your subconscious and give you moral and humane structures for your life. That teach you how to prevail, and trust. And maybe even to love.
CHARLES DE LINT
The Onion Girl
You can take the woman outta the trash, but you can't take the trash out a the woman.
CHARLES DE LINT
The Onion Girl
When you're touched by magic, nothing's ever quite the same again. What really makes me sad is all those people who never have the chance to know that touch. They're too busy, or they just don't hold with make-believe, so they shut the door without really knowing it was there to be opened in the first place.
CHARLES DE LINT
What the Mouse Found and Other Stories
A body of work may be reviled -- mostly by those who have no knowledge of its workings -- and yet still carry elements of what can only be considered eternal truths.
CHARLES DE LINT
The Little Country
Tattoos ... are the stories in your heart, written on your skin.
CHARLES DE LINT
The Mystery of Grace
Once upon a time there was what there was, and if nothing had happened there would be nothing to tell.
CHARLES DE LINT
Dreams Underfoot
If I pick up a wooden flute that hasn't been played for a year, it doesn't sound great at all. It's not only a matter of me being out of practice, because I could be playing one of my other flutes that I play more often and they will sound noticeably better, but the wood itself has a memory of sorts, and needs frequent playing to maintain its warmth and resonance. With writing, it really makes a huge difference if I don't write for three or four days because I will start to lose the flow of the particular story I'm working on. When that happens, I have to go back to the beginning of the book and put it all back into my head again.
CHARLES DE LINT
Locus Magazine, June 2003
The family we choose for ourselves is more important than the one we were born into ... people have to earn our respect and trust, not have it handed to them simply because of genetics.
CHARLES DE LINT
Moonlight & Vines
Let me give you some advice: Try to approach things without preconceived ideas, without supposing you already know everything there is to know about them. Get that trick down and you'll be surprised at what's really all around you.
CHARLES DE LINT
Someplace to Be Flying
The excitement I get from writing is finding out each day what happens next.
CHARLES DE LINT
"One Thing Leads to Another: An Interview with Charles de Lint", The Yalsa Hub, September 19, 2013
I'm pretty much fixated on certain themes. Family, but it's family of choice as much as family of blood. Individuality, yes, but not at the cost of others' happiness. Be true to your friends. Remembering to find some wonder and hope in the world. Basically it boils down to: treat people like you'd like them to treat you, leave the world a little better than it was when you got here, respect others and stand up for those who can't stand up for themselves.
CHARLES DE LINT
"A Conversation With Charles de Lint", SFsite, 2000