quotations about writing
I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.
MARKUS ZUSAK
The Book Thief
I think without writing I would feel completely useless.
SAM SHEPARD
The Observer, March 20, 2010
I'm pretty obsessive-compulsive and I'm very fast. I tend to not write for a long period of time until I can't not write, and then I write first drafts in gallops. I won't eat right. I forget to do my laundry. I have a dog now, and I have to remember to walk him. When I write, that takes over and I can't do anything else. There's something exciting about that free fall, but then my life gets really screwed up. I've lost lots of relationships because of my having to ignore everything.
ADAM RAPP
interview, Theatre Communications Group
My gratitude for good writing is unbounded; I'm grateful for it the way I'm grateful for the ocean.
ANNE LAMOTT
Bird by Bird
My job is not to try to give readers what they want but to try to make readers want what I give.
CHINA MIÉVILLE
The Guardian, September 20, 2012
Of all that is written I love only what a man has written with his blood. Write with blood, and you will find that blood is spirit.
FRIEDRICH NIETZSCHE
Thus Spoke Zarathustra
Popular success is a palace built for a writer by publishers, journalists, admirers and professional reputation makers, in which a silent army of termites, rats, dry rot and death-watch beetles are tunnelling away, till, at the very moment of completion, it is ready to fall down. The one hope for a writer is that although his enemies are often unseen they are seldom unheard. He must listen for the death-watch, listen for the faint toc-toc, the critic's truth sharpened by envy, the embarrassed praise of a sincere friend, the silence of gifted contemporaries, the implications of the don in the manger, the visitor in the small hours. He must dismiss the builders and contractors, elude the fans with an assumed name and dark glasses, force his way off the moving staircase, subject every thing he writes to a supreme critical court. Would it amuse Horace or Milton or Swift or Leopardi? Could it be read to Flaubert? Would it be chosen by the Infallible Worm, by the discriminating palates of the dead?
CYRIL CONNOLLY
Enemies of Promise
The excitement I get from writing is finding out each day what happens next.
CHARLES DE LINT
"One Thing Leads to Another: An Interview with Charles de Lint", The Yalsa Hub, September 19, 2013
The text you write must prove to me that it desires me.
ROLAND BARTHES
The Pleasures of the Text
Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.
KELLY LINK
interview, Apex Magazine, July 2, 2013
With pen and with pencil we're learning to say
Nothing, more cleverly every day.
WILLIAM ALLINGHAM
"Blackberries"
Writing is like hunting. There are brutally cold afternoons with nothing in sight, only the wind and your breaking heart. Then the moment when you bag something big.... This is a trophy brought back from the further realm, the kingdom of perpetual glistening night where we know ourselves absolutely. This one goes on the wall.
KATE BRAVERMAN
attributed, From Book to Bestseller
You keep working on your piece over and over, trying to get the sections and paragraphs and sentences and the whole just right, but there's a point at which you can tell you've begun hurting the work with your perfectionism. Then you have to release the work to new eyes.
ANNE LAMOTT
"Q&A: Anne Lamott", San Diego Magazine, January 27, 2014
A major character has to come somehow out of the unconscious.
GRAHAM GREENE
New York Times, October 9, 1985
For a moment, I debated whether I should tell someone about the words I'd started writing down, but I couldn't. In a way, I felt ashamed, even though my writing was the one thing that whispered okayness in my ear. I didn't speak it, to anyone.
MARKUS ZUSAK
Getting the Girl
Getting out of bed of a morning has never been a problem, but I've noticed of late that my writing is better in the afternoon. The mornings are methodical, when all the blockwork and first-fix stuff takes place. The ornamentation or even de-ornamentation -- the things that separate writing from writing -- don't seem possible until later in the day, when I've established some perspective.
SIMON ARMITAGE
"Language is my enemy -- I spend my life battling with it", The Guardian, March 25, 2017
How hard is the destiny of a maker of books! He has to cut and sew up in order to make ideas follow logically. But when one writes a book on reverie, has the time not come to let the pen run, to let reverie speak, and better yet to dream the reverie at the same time one believes he is transcribing it?
GASTON BACHELARD
The Poetics of Reverie: Childhood, Language, and the Cosmos
I believe so. In its beginning, dialogue's the easiest thing in the world to write when you have a good ear, which I think I have. But as it goes on, it's the most difficult, because it has so many ways to function. Sometimes I needed to make a speech do three or four or five things at once--reveal what the character said but also what he thought he said, what he hid, what others were going to think he meant, and what they misunderstood, and so forth--all in his single speech. And the speech would have to keep the essence of this one character, his whole particular outlook in concentrated form. This isn't to say I succeeded. But I guess it explains why dialogue gives me my greatest pleasure in writing.
EUDORA WELTY
The Paris Review, fall 1972
I want to do something splendid ... something heroic or wonderful that won't be forgotten after I'm dead ... I think I shall write books.
LOUISA MAY ALCOTT
Little Women
I want to write because I have the urge to excel in one medium of translation and expression of life. I can't be satisfied with the colossal job of merely living. Oh, no, I must order life in sonnets and sestinas and provide a verbal reflector for my 60-watt lighted head.
SYLVIA PLATH
The Journals of Sylvia Plath