Austrian novelist, playwright & journalist (1881-1942)
Through suffering we have endured the assaults of time; reverses have ever been our beginning; and out of the depths God has gathered us to his heart.
STEFAN ZWEIG
Jeremiah: a drama in nine scenes
A child when afraid thrusts out his arms, and those that are falling hold out the hand to passers-by for aid; similarly, creative artists project their sorrows and joys and all their sudden pain which is greater than their own strength. They hold them out like a net with which to ensnare, like a rope by which to escape. Like beggars on the street weighed down with misery and want, they give their words to passers-by. Each syllable gives relief because they thus project their own life into that of strangers. Their fortune and misfortune, their rejoicing and complaint, too heavy for them, are sown in the destiny of others.
STEFAN ZWEIG
prelude, Paul Verlaine
It is only at first that pity, like morphine, is a solace to the invalid, a remedy, a drug, but unless you know the correct dosage and when to stop, it becomes a virulent poison. The first few injections do good, they soothe, they deaden the pain. But the devil of it is that the organism, the body, just like the soul, has an uncanny capacity for adaptation. Just as the nervous system cries out for more and more morphine, so do the emotions cry out for more and more pity, in the end more than one can give. Inevitably there comes a moment when one has to say 'no', and then one must not mind the other person's hating one more for this ultimate refusal than if one had never helped him at all.
STEFAN ZWEIG
Beware of Pity
Long-protracted suffering is apt to exhaust not only the invalid, but the compassion of others; violent emotions cannot be prolonged endlessly.
STEFAN ZWEIG
Beware of Pity
Almost all gamesters learn to control their faces ... The Hand blabs secrets shamelessly.
STEPHAN ZWEIG
Four-and-Twenty Hours in a Woman's Life
There is nothing that so raises a young man's self-esteem, that so contributes to the formation of his character as for him to find himself unexpectedly confronted with a task which he has to accomplish entirely on his own initiative and by his own efforts.
STEFAN ZWEIG
Beware of Pity
Immanuel Kant lived with knowledge as with his lawfully wedded wife, slept with it in the same intellectual bed for forty years and begot an entire German race of philosophical systems.
STEFAN ZWEIG
The Struggle with the Demon
It is a blessing not yet to have acquired that over-keen, diagnostic, misanthropic eye, and to be able to look at people and things trustfully when one first sees them.
STEFAN ZWEIG
Beware of Pity
No guilt is forgotten so long as the conscience still knows of it.
STEFAN ZWEIG
Beware of Pity
The dressmaker doesn't have problems unless the dress has to hide rather than reveal.
STEFAN ZWEIG
The Post Office Girl
There's an inherent limit to the stress that any material can bear. Water has its boiling point, metals their melting points. The elements of the spirit behave the same way. Happiness can reach a pitch so great that any further happiness can't be felt. Pain, despair, humiliation, disgust, and fear are no different. Once the vessel is full, the world can't add to it.
STEFAN ZWEIG
The Post Office Girl
Adultery is in most cases a theft in the dark. At such moments almost every woman betrays her husband's innermost secrets; becomes a Delilah who discloses to a stranger, discloses to her lover, the mysteries of her husband's strength or weakness. What seems to me treason is, not that women give themselves, but that a woman is prone, when she does so, to justify herself to herself by uncovering her husband's nakedness, exposing it to the inquisitive and scornful gaze of a stranger.
STEFAN ZWEIG
Confusion of Feelings or Confusion
One can run away from anything but oneself.
STEFAN ZWEIG
Beware of Pity
For when a woman resists an unwelcome passion, she is obeying to the full the law of her sex; the initial gesture of refusal is, so to speak, a primordial instinct in every female, and even if she rejects the most ardent passion she cannot be called inhuman. But how disastrous it is when fate upsets the balance, when a woman so far overcomes her natural modesty as to disclose her passion to a man, when, without the certainty of its being reciprocated, she offers her love, and he, the wooed, remains cold and on the defensive! An insoluble tangle this, always; for not to return a woman's love is to shatter her pride, to violate her modesty.
STEFAN ZWEIG
Beware of Pity
A word is nothing unless it has values and an atmosphere, unless you grasp its historical significance.
STEFAN ZWEIG
Confusion of Feelings or Confusion
Ah, how fatefully swift is the move from one feeling to another.
STEFAN ZWEIG
Confusion
It is usual for a woman, even though she may ardently desire to give herself to a man, to feign reluctance, to simulate alarm or indignation. She must be brought to consent by urgent pleading, by lies, adjurations, and promises. I know that only professional prostitutes are accustomed to answer such an invitation with a perfectly frank assent -- prostitutes, or simple-minded, immature girls.
STEFAN ZWEIG
Letter from an Unknown Woman
Only a numskull is pleased at being a so-called "success" with women, only a dunderhead is puffed up by it. A real man is much more likely to be dismayed at realizing that a woman has lost her heart to him when he can't reciprocate her feelings.
STEFAN ZWEIG
Beware of Pity
I regard memory not as a phenomenon preserving one thing and losing another merely by chance, but as a power that deliberately places events in order or wisely omits them. Everything we forget about our own lives was really condemned to oblivion by an inner instinct long ago.
STEFAN ZWEIG
The World of Yesterday
No sooner had he said it than she understood, and he placed the room-key, heavy and shining, in his hand, so abruptly did that one sharply outlined, bright association plucked from the sleeping depths of memory come to the surface. The shadows there on the path had touched and woken her own words, and more besides. With a shiver running down his spine, he suddenly felt the full truth and sense of them. Had not those spectres searching for their past been muted questions, asked of a time that was no longer real, mere shadows wanting to come back to life but unable to do so now? Neither she nor he was the same any more, yet they were searching for each other in a vain effort, fleeing one another, persisting in disembodied, powerless efforts like those black spectres at their feet.
STEFAN ZWEIG
Journey Into the Past