WRITING QUOTES XI

quotations about writing

I tend to be very much a planner. I mean obviously details veer in the telling all the time, that's clearly the case, but in terms of the broad architecture of a book I plot carefully and if things start to veer halfway through, I tend to stop and either pull them back on course, or if I realize they are going in a better direction, I extrapolate and work out what effect this is going to have further down. I am not one of these writers who is able to enjoy flying by the sit of my pants. And there's no value judgment there, incidentally. I am very well aware that some absolutely fantastic, wonderful writers do that. For me, no, I cannot do it. I have to plan quite meticulously.

CHINA MIÉVILLE

"In a Carapace of Light: A Conversation with China Miéville", Clarkesworld


I was always fascinated by the fact that you could take paper and ink and create worlds, images, characters. It seemed like magic.

CARLOS RUIZ ZAFON

"Q & A: Author Carlos Ruiz Zafon", Time, June 30, 2009

Tags: Carlos Ruiz Zafon


Rejections are painful, but inevitable. They're every writer's rite of passage.

OCTAVIA E. BUTLER

"Furor Scribendi", Bloodchild and Other Stories

Tags: Octavia E. Butler


I can't leave a chapter alone until I think it's as good as I can make it at that time. Often I will reach a stage, say, a third of the way into the book, where I realize there's something very wrong. Everything starts to feel shallow and false and unsatisfactory. At that stage I'll go back to the beginning. I might have written only fifty pages, but it's like a cantilever and the whole thing is getting very shaky because I haven't thought things through properly. So I'll start again and I'll write all the way through and then just keep going until it starts to get shaky again, and then I'll go back because I'll know that there's something really considerable, something deeply necessary waiting to be discovered or made. Often these are unbelievably big things. Sometimes they are things that readers will ultimately think the book is about.

PETER CAREY

The Paris Review, summer 2006

Tags: Peter Carey


There was a kind of poetry I was seeking in my prose, word to be laid against word in just a certain way, a kind of word color, a march of words and sentences, the color to be squeezed out of simple words, simple sentence construction.

SHERWOOD ANDERSON

Memoirs

Tags: Sherwood Anderson


Too much is written by the men who can't write about the men who do write.

JACK LONDON

Martin Eden

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Only the hunger for something beyond the personal will allow a writer to break free of one major obstacle to originality -- the fear of self-revelation.

JANE HIRSHFIELD

Nine Gates: Entering the Mind of Poetry

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Once writing has become your major vice and greatest pleasure only death can stop it.

ERNEST HEMINGWAY

The Paris Review, spring 1958


Yet do not miss the moral, my good men.
For Saint Paul says that all that's written well
Is written down some useful truth to tell.
Then take the wheat and let the chaff lie still.

GEOFFREY CHAUCER

The Canterbury Tales

Tags: Geoffrey Chaucer


When asked for advice by beginners. Know your ending, I say, or the river of your story may finally sink into the desert sands and never reach the sea.

ISAAC ASIMOV

I, Asimov: A Memoir

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When I was teaching -- I taught for a while -- my students would write as if they were raised by wolves. Or raised on the streets. They were middle-class kids and they were ashamed of their background. They felt like unless they grew up in poverty, they had nothing to write about. Which was interesting because I had always thought that poor people were the ones who were ashamed. But it's not. It's middle-class people who are ashamed of their lives. And it doesn't really matter what your life was like, you can write about anything. It's just the writing of it that is the challenge. I felt sorry for these kids, that they thought that their whole past was absolutely worthless because it was less than remarkable.

DAVID SEDARIS

January Magazine, June 2000

Tags: David Sedaris


The writer should never be ashamed of staring. There is nothing that does not require his attention.

FLANNERY O'CONNOR

attributed, Room to Write: Daily Invitations to a Writer's Life

Tags: Flannery O'Connor


Writing is a kind of centering, a kind of meditation. I find it to be profoundly rewarding. Actually, I'm an addict. If I go too long, and so far that hasn't been longer than a week, I start to feel unsettled, nervous. I begin to feel that I'm not engaged, a disconnection is threatening my world, that I'm being passed by and I'm both failing myself and the world by not writing about it.

WALTER BARGEN

"An interview with Walter Bargen, first poet laureate of Missouri"

Tags: Walter Bargen


There is, as yet, no Act of Parliament compelling a bona fide traveler to read. If you wish him to read, you must make reading pleasant. You must give him short views, and clear sentences.

WALTER BAGEHOT

Literary Studies

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After being turned down by numerous publishers, he decided to write for posterity.

GEORGE ADE

"The Fable of the Bohemian Who Had Hard Luck", Fables in Slang

Tags: George Ade


Read heavily in the area where you want to write. Be aware of what's selling and what's doing well but don't try to write to market trends; they are fleeting.

JEFF ABBOTT

interview, Book Browse


Fundamentally, all writing is about the same thing. It's about dying, about the brief flicker of time we have here, and the frustration it creates.

MORDECAI RICHLER

attributed, Mordecai & Me


This is a slow business to have success in. There are exceptions, but for the most part it's kind of like the last writer standing.... I've got gray. I've got plenty of gray. I'm creating a career slowly, like a coral reef.

ROBERT REED

Lincoln Journal Star, January 11, 2004

Tags: Robert Reed


The excitement I get from writing is finding out each day what happens next.

CHARLES DE LINT

"One Thing Leads to Another: An Interview with Charles de Lint", The Yalsa Hub, September 19, 2013

Tags: Charles de Lint


Maybe everyone does have a novel in them, perhaps even a great one. I don't believe it, but for the purposes of this argument, let's say it's so. Only a few of us are going to be willing to break our own hearts by trading in the living beauty of imagination for the stark disappointment of words. This is why we type a line or two and then hit the delete button or crumple up the page. Certainly that was not what I meant to say! That does not represent what I see. Maybe I should try again another time. Maybe the muse has stepped out back for a smoke. Maybe I have writer's block. Maybe I'm an idiot and was never meant to write at all.

ANN PATCHETT

The Getaway Car